Rajat Verma, who has been part of shows such as Beyhadh 2, Dahej Daasi, Ishq Par Zor Nahi, and was last seen as the male lead in Jamuniya, says he has often been typecast in the industry. The actor adds that it took him a while to break out of a particular kind of role and truly showcase his versatility.
He says, “The industry loves a good label — the boy next door, the Laxman-like brother. For a while, I played along, as I was new to the industry. Then I broke the pattern by saying yes to characters that weren’t necessarily likable but were relatable — the roles that were refining my craft. I let my work do the rebellion, not my words. Every time they tried to define me, I redefined myself on screen.”
He adds, “I’m just too hungry to explore my craft. I find myself drawn to characters that challenge me as an actor and move something inside me. Maybe someday I’ll be content with the fight within and begin a new journey — one that challenges societal norms.”
When asked what kind of stories or characters he believes Indian entertainment needs more of, he replies, “We need stories where men can cry without shame and women don’t need to be rescued. We need more flawed women, more quiet men, more love stories that aren’t just about falling in love but about growing through it. We need fathers who fail, sons who forgive, lovers who aren’t perfect, and friendships that don’t always survive. We need narratives that move beyond stereotypes and dive into the beautifully messy middle of the human experience. We need nuance, not just noise.”
In fact, he ensures he doesn’t take up roles or stories that he doesn’t personally align with. “Fame is tempting, but peace of mind is non-negotiable. Saying no is my way of protecting the storyteller in me. I’d rather wait for the right silence than speak the wrong words,” he says.
He says, “The industry loves a good label — the boy next door, the Laxman-like brother. For a while, I played along, as I was new to the industry. Then I broke the pattern by saying yes to characters that weren’t necessarily likable but were relatable — the roles that were refining my craft. I let my work do the rebellion, not my words. Every time they tried to define me, I redefined myself on screen.”
He adds, “I’m just too hungry to explore my craft. I find myself drawn to characters that challenge me as an actor and move something inside me. Maybe someday I’ll be content with the fight within and begin a new journey — one that challenges societal norms.”
When asked what kind of stories or characters he believes Indian entertainment needs more of, he replies, “We need stories where men can cry without shame and women don’t need to be rescued. We need more flawed women, more quiet men, more love stories that aren’t just about falling in love but about growing through it. We need fathers who fail, sons who forgive, lovers who aren’t perfect, and friendships that don’t always survive. We need narratives that move beyond stereotypes and dive into the beautifully messy middle of the human experience. We need nuance, not just noise.”
In fact, he ensures he doesn’t take up roles or stories that he doesn’t personally align with. “Fame is tempting, but peace of mind is non-negotiable. Saying no is my way of protecting the storyteller in me. I’d rather wait for the right silence than speak the wrong words,” he says.
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